The text known as Dravyasamgraha is rooted in the Prakrit tradition and has been preserved and transmitted through a wide range of languages and interpretive lineages. Its original verses in Prakrit have inspired Sanskrit commentarial traditions, including a Sanskrit vṛtti by Brahmadeva, and further Prakrit and Sanskrit-based scholastic expositions. This layered history of commentary reflects how the work has served as a concise yet fertile source for metaphysical reflection within Jain thought. Through these strata of language and interpretation, the text has remained a touchstone for those contemplating the nature of substances and reality.

Over time, the work has been rendered into several major Indian vernaculars, ensuring its accessibility to diverse Jain communities. There are numerous Hindi translations and commentaries, often designed for lay study and devotional reading. Gujarati translations and expository editions are also available, used in regions where that language shapes religious life. Kannada has likewise served as a medium for commentaries and explanations, especially in traditional centers of Jain learning. These vernacular forms allow the terse original verses to be unpacked in ways that speak to the lived practice of seekers.

Beyond the Indian languages, the text has also crossed into European tongues, where it has attracted the attention of scholars of Jainism and Indology. English translations are particularly abundant, ranging from more literal renderings to interpretive versions framed for general readers and students of philosophy. German translations and discussions appear in academic treatments of Jain ontology, where selected verses are translated and analyzed. In this way, Dravyasamgraha has become a bridge between the inner world of Jain spiritual practice and the broader comparative study of religious metaphysics.

The breadth of languages and translations suggests not merely a textual diffusion, but a continuing dialogue about the meaning of substance, soul, and liberation. Each linguistic setting—Prakrit, Sanskrit, Hindi, Gujarati, Kannada, English, and others—offers a distinct resonance, yet all circle around the same core insights. For a contemplative reader, this plurality can itself become a spiritual exercise: tracing how a single, compact work is refracted through many tongues, while the underlying quest for clarity about reality remains constant.