Gyaneshwari, also known as Jnaneshwari, was originally composed in Marathi, specifically in the medieval Marathi dialect of the 13th century. This choice of language allowed the text to bring the lofty wisdom of the Bhagavad Gita into the living speech of ordinary seekers, rather than confining it to the learned world of Sanskrit. In this way, the work stands as a bridge between scriptural subtlety and the devotional heart of the common people. The use of Marathi situates the text deeply within the cultural and spiritual soil of its region, giving it both accessibility and enduring resonance.

Its poetic form is the ovi meter, a traditional Marathi verse style that lends itself naturally to devotional expression and oral recitation. The ovi consists of four-line stanzas, with each line typically carrying a measured flow of syllables that supports a rhythmic, almost musical cadence. This structure offers a gentle yet steady movement, allowing complex philosophical insights to unfold in a manner that feels both intimate and expansive. Because of this, the Gyaneshwari does not merely explain the Gita; it sings it into the heart, using the ovi form to make subtle teachings feel close, memorable, and alive.