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What are some common metaphors used, and what do they signify?

Within this classic text, metaphors serve as doors into a way of being that is at once simple and profound. Water is perhaps the most pervasive image: soft, yielding, and always seeking the low places, yet able to wear down rock and nourish all things without contention. This image points to humility, adaptability, and a kind of quiet power that does not rely on force. It suggests that what appears weak and formless can, over time, overcome what is rigid and strong, and that true harmony arises from not striving to dominate.

Another central metaphor is the “uncarved block” (pu), which evokes original simplicity and unshaped potential. Before carving, the block can become anything; once carved, its possibilities narrow. This image speaks to a state of naturalness prior to social conditioning, refinement, and artificial complexity. It invites a return to a more uncontrived way of being, where one’s nature is not overworked by ambition, desire, or excessive cleverness, and where wholeness is valued over polish.

The text also turns repeatedly to images of emptiness and receptivity, such as the valley, the “valley spirit,” and the feminine or motherly aspect of reality. Valleys lie low and receive all waters; the “mysterious female” and mother imagery suggest a fertile, nurturing source from which all things arise. These metaphors highlight the strength of what is open, low, and unobtrusive, and they present emptiness not as lack, but as the very condition that allows things to be born and sustained. In the same spirit, the empty hub of a wheel or the hollow of a vessel shows that what is not there is precisely what makes function and usefulness possible.

Images of the infant or child further deepen this vision. The child is soft, vulnerable, and yet full of vitality, acting without calculation or rigid preference. Such metaphors point to spontaneity, innocence, and a closeness to the Tao that has not yet been obscured by accumulated knowledge and desire. Alongside these, the figure of the sage-ruler appears as a living metaphor for inner and outer governance: leading by example, intervening minimally, and allowing things to follow their own course. Taken together, these images suggest a path where yielding surpasses force, emptiness enables form, and simplicity reveals a subtle, enduring strength.