A gurdwara’s heartbeat comes alive through kirtan, and the Sikh Rehat Maryada keeps that rhythm both sacred and simple. Hymns must flow straight from the Guru Granth Sahib—no Bollywood mash-ups or worldly tunes sneaking in. Melodies stick to the classical ragas as noted in the scripture; ragis appointed by the management committee, all Amritdhari, lead the singing with harmonium or tabla (traditional strings like rabab and sarangi are welcomed, too). Improvisation stays within the bounds of those ragas, so every note strikes a chord with centuries of devotion.

Services open with Ardas, moving into Asa Di Vaar or Japji Sahib in the early hours, and Anand Sahib toward the close. Hukamnama follows the kirtan, read directly in Gurmukhi—translations may be shared elsewhere but never interrupt the flow at the palki. Shoes, head coverings, and a spirit free from tobacco or alcohol—these essentials set the tone before anyone steps inside.

Seating remains dignified: men and women occupy separate rows but share equally in the experience. On stage, ragis dress modestly, embodying the humility at Sikhism’s core. Microphone levels stay respectful; it’s worship, not a concert. Commercial ads or sponsorship banners? That idea never made the cut.

Nowadays, these guidelines shape both in-person services and the digital kirtan waves seen on platforms like SikhNet or live streams from Darbar Sahib during recent celebrations of Guru Nanak’s 552nd Parkash Utsav. Whether under the golden glow of Amritsar’s sanctum or through a smartphone halfway across the globe, the same rules apply: purity of verse, proper ragas, communal harmony, and unwavering reverence.

Over time, those ancient instructions ensure that every clap, every sway, every sacred syllable remains tethered to the Gurus’ original vision—no small feat in a world chasing novelty. By and large, the Rehat Maryada makes sure kirtan and services stay true to their soul, inviting each of us to listen more deeply than ever.